Returning to the interior, Joan had duly admired the Cheyne monument, but had been unable to disguise her amusement before the tomb of Mrs. Colvile, whom the sculptor had represented as a somewhat impatient lady, refusing to await the day of resurrection, but pushing through her coffin and starting for Heaven in her grave-clothes. Pausing in front of the Dacre monument, Joan wondered if the actor of that name, who had committed suicide in Australia, and whose London address she remembered had been Dacre House just round the corner, was descended from the family; thinking that, if so, it would give an up-to-date touch to the article. She had fully decided now to write it. But Mary Stopperton could not inform her. They had ended up in the chapel of Sir Thomas More. He, too, had “given up things,” including his head. Though Mary Stopperton, siding with Father Morris, was convinced he had now got it back, and that with the remainder of his bones it rested in the tomb before them. “Did you ever see her act?” asked Joan.!

If only she could do something. She was sick of thinking. He turned his head towards her with an amused raising of the eyebrows. “Carleton owns two London dailies,” he answered, “and is in treaty for a third: together with a dozen others scattered about the provinces. Most politicians find themselves, sooner or later, convinced by his arguments. Phillips may prove the exception.”

“That’s the idea,” answered Flossie; “a heart to heart talk between you and me, and nobody else. Half-past four. Don’t forget.” To reject it would be to dishonour it. It was daylight when she awoke. She was cold and her limbs ached. Slowly her senses came back to her. The seat opposite was vacant. The gas lamp showed but a faint blue point of flame. Her dress was torn, her boots soiled and muddy. Strands of her hair had escaped from underneath her hat.